O Studio Two, estúdio de Abbey Road usado por bandas como Pink Floyd e Beatles em seus tempos áureos, será aberto a partir do dia 10 de março, para exibição ao público. O acontecimento faz parte da celebração de 80 anos do local, criado em 1931.

Autores do livro Recording the Beatles, Brian Kehew e Kevin Ryan serão os responsáveis por exibir, dentro do Studio Two, uma apresentação de áudio revisitando os 80 anos de músicas gravadas ali, usando também de fotos e vídeos.

Além dos Beatles e do Pink Floyd, artistas como The Shadows, The Hollies, The Zombies e Kate Bush também já passaram pelo Studio Two. Trilhas sonoras de filmes como Star Wars, Harry Potter e O Senhor dos Aneis foram produzidas em Abbey Road. Equipamentos clássicos do estúdio estarão disponíveis para exibição.

Os ingressos para visitar o Studio Two custarão £75 (cerca de R$ 214).

The Beatles’ three Anthology music collections, remastered by Abbey Road Studios engineer Steve Rooke and Paul Hicks, make their worldwide digital debut from 14th June. 

The new 155 track Anthology Box Set and 23 track Anthology Highlights collection are available exclusively on iTunes. Anthology songs will also be available for individual download.

You can download your copy and watch the full length introduction to Anthology at http://www.itunes.com/thebeatles 

Welcome - We are searching for original, unsigned and undiscoveredcomposers of all ages as part of our worldwide anthem competition in celebration of the studios 80th anniversary. 

Up to ten anthems will be selected and winners will join generations of legendary composers who have recorded their work at Abbey Road Studios. The prize is a recording of their work in Abbey Road Studios, Studio One with some of the UK’s finest singers and the London Symphony Orchestra.

To enter the competition composers need to write an anthem to be performed by a choir. 

An anthem is

• a celebration of a mood or emotion
• a rousing popular song that typifies or is identified with a particular culture, movement, or point of view
• a song of praise and devotion
• a sacred vocal composition with words usually from the Scriptures

The anthems should be written for a mixed choir of adults, children or a blend of both (with soloists if required). 
The composition may be for a cappella choir, for choir accompanied by a specific group of musicians or for choir with a keyboard accompaniment, which would form the basis of an arrangement or orchestration appropriate for the composition; possibly solo harp through to a full symphony orchestra. 
To make the competition as inclusive as possible leading arrangers will be available for the winners to help shape and orchestrate the music for the recording.

The competition is worldwide and is open to all age groups although submissions must be made in English. 
Submission will be via e-mail or post, in either a legible written manuscript or presented via notation software (native file format or document), supported by an audio demo if possible. 
The work must be no longer than six minutes in duration, the words must be in English and be original or available in the public domain (if not the composer would be responsible for getting permission to use the chosen lyrics from the author or author’s estate). 
The anthem may have previously been written, performed or submitted for other competitions but cannot have been recorded or published for commercial use. 

Eric Whitacre, Rob Mathes, George Fenton and Harry Christophers are the esteemed group of judges who will be working with us to select the winning Anthems. The renowned composer Eric Whitacre will conduct the recording - he told us:

“I can’t think of a better way to celebrate 80 years of excellence at the world’s most famous recording studios than creating new music, giving everyone the chance to participate. From Elgar to Radiohead, Abbey Road has hosted the very best. We want to find the great anthems of our time. It is an honour to be involved in the selection and to record the winning entries. I encourage all writers/composers to submit their music and inspire us.”

The competition runs from 9th March 2011 until 15th July 2011, the closing date for entries being 15th July 2011. Entries will not be accepted as eligible after midnight on this closing date.

Competition rules and full terms and conditions apply. Please download both documents for full competition information.

Click here for further details of the competition.
Click here for terms and conditions and to download an entry pack (if you do not have the full version of Adobe Acrobat, you will need to print and either scan or post the paper form to us).

To participate you are invited to submit a legible manuscript, audio demo (where possible) and completed entry pack by post to:

Anthem Competition
Abbey Road Studios
3 Abbey Road
London  NW8 9AY UK 
or by e-mail to: anthem.competition@abbeyroad.co.uk 

Only one entry will be accepted per person and this will be the first entry received by us.

Follow us on Facebook and Twitter and see the range of anthems we’ll be selecting to inspire you, so you can inspire us!

Florence & the Machine LIVE + Interview @ Abbey Road 

“One of the most amazing experiences you can have is to be in recording sessions for a Disney Spectacular. Last week I had one of those days… and it was extra special. An orchestra of over a hundred players performed the score for World of Color. Even more exciting, we recorded it at the famous Abbey Road studio in London.

The orchestral score is a very important element to any show. In my mind, it makes up more than fifty-percent of the experience for an audience. The World of Color score has taken over a year to create due to its complexity. Mark Hammond – the show’s composer – worked countless months perfecting the harmonic nuance of each scene.

Since the show is built out of classic Disney animation moments, each scene needed its own flavor and personality. When we strung them all together, they would create the perfect environment where water, light and projections could live in harmony. The end result, as we are hearing today in this video of the recording of the ‘Night on Bald Mountain’ music from Fantasia, is glorious.”

Via Disney Parks

LONDRES, 21 Jul 2010 (AFP) - Um piano com manchas de café e queimado por cigarros, utilizado pelos Beatles para gravar “Paperback Writer” e por Pink Floyd para seu LP “Dark Side of the Moon”, que pertence ao estúdio londrino Abbey Road será colocado em leilão, informou a casa Bonhams.

O piano vertical da marca Challen foi utilizado para gravar, entre outros sucessos, “Paperback Writer” e “Tomorow Never Knows”, em 1966.

O piano também foi utilizado pelo grupo Pink Floyd em 1973 para gravar “Dark Side of the Moon”.

“Acho que é o primeiro instrumento dos estúdios Abbey Road que é colocado à venda”, afirmou ao jornal Daily Telegraph Stephen Maycock, consultor e especialista em objetos de interesse da casa de leilão. ”O piano foi usado e abusado, o que dá um certo caráter a ele”, acrescentou.

O instrumento deixou de ser utilizado em 1980 e será leiloado em 15 de agosto no festival Vintage Goodwood de West Sussex (sudeste da Inglaterra).

Bonhams espera que o piano alcance de 100.000 a 150.000 libras (150.000 a 230.000 dólares).

Nota da AFP/UOL Entretenimento

Herbie Hancock e Corinne Bailey Rae - River plays @ Abbey Road - 2008

Kate Nash live @ Abbey Road with “Foundations” - 2008